I turn from the screen with the grayed-out trains and
call to Josh, “Got bad news for you, chief; we missed all the trains,” just as
he swoops down on me with a man whose face now seems to me, in memory, like the
face of ten men put together—amorphous, not too threatening. How could I have
known to look for the lines of deception around his mouth? He should’ve been
twirling an overfed caterpillar moustache or chewing the end of a cigar, but
now all I remember was that he looked like any other Italian man who was
honestly trying to help me out.
“This is Franco, he says the Pompeii conductors are on
strike,” Josh says. Huh. This must be why all my options are unclickable in the
ticket machine.
The lights of Naples seem to come down at all the wrong
angles as I listen to Franco yammer about how we must take two cars, there are
too many to transport, only two euro per kilometer. How many kilometers to
Pompeii? I ask. I ask again, certain he didn’t hear me. “You see on meter, you
see.” The r’s are hard in his mouth, the vowels warping to fit my bastard
home-language.
My jacket feels like a fortress around me, my hair tall
and defiant, my bag like an anvil. None of this solidity will protect me from
the intangibility of adrenaline coursing through me fifteen minutes later as
Franco demands three hundred euro. The five of us are not even two hundred
meters from the front of our hostel just up the hill, even less distance from
the closed entrance to Pompeii—yet we cannot escape. He’s got one of our 50’s
up his sleeve and Camping Zeus only knows what in the glove box. I could’ve
kicked myself. Twice. My dad would be apoplectic if he knew. Before I left, he
said, “Remember what your back looks like,” and what did I do the day after I
was on my own for the first time? Forget.
I will not tell him how I stepped behind Josh and Tyler
and listened to them argue. I will not tell him how I sat on the stairs of
Camping Zeus minutes later and cried tears of helpless fury. I will not tell
him how Italian men have taught me powerlessness, whether with their cons or
their stares or their hands.
I will tell him that I still have two-thousand-year-old
grave dust stuck to my black ballet flats; that I missed him as I kiss his
reddish, stubbly cheek; that the lawn looks nice and that Naples is a shithole
that ought to be struck from God’s green Earth; that I could really, really use
a glass of Dr. Beam after that plane ride.
Small consolation, perhaps, but this is gorgeous. It's awful to be conned, no doubt, but it is also a kind of transaction. You bought more than a ride to Pompeii for that money. You bought access to this sort of language. Tell me you don't see energy and a kind of urgency in what you wrote above. Make sure you get your money's worth out of that.
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